Showing posts with label Mortal Kombat. Show all posts
Showing posts with label Mortal Kombat. Show all posts

Wednesday, August 5, 2015

The Ultimate Warrior

Anyone remember a game called Barbarian?

For the unfamiliar,. Barbarian was a game that came out during the Commodore 64 era. It eventually found itself onto the Amiga and presented itself as a one-on-one fighter game. It was also notable for the use of gore and inclusion of decapitations, making it something of a spiritual fore-father to Mortal Kombat. It was a controversial game with a) it being banned in Germany because the violence and b) having Maria Whittaker on the box art.

But what I find fascinating about the game is the setting. Get past the obvious inspiration from Robert E. Howard's famous creation and the game presents a rather bleak setting.The background to this game is that some warlock has kidnapped a princess and it's up to the PC to go rescue them. But if the Princess in question is indeed a princess then she is of royalty and part of a ruling family. But what exactly is the ruling family actually ruling? Judging by the setting presented in the game, the land is sparsely populated and is kinda bleak.
Don't believe me? Watch this video of the Amiga version:

Original video located here. Accessed 5th August 2015

I counted eleven people in this game: The PC, the Warlock, the Princess and eight combatants. They are the only people in this game. We have forests, dungeons and volcanoes but no sign of civilization whatsoever.
So what kind of kingdom is this? An empty and wasted one? Does this Princess have any authority? Does the royal family in question have ANY authority? Is this princess even worth saving?

I do recall making a post how I noted how the original Legend of Zelda could work in a desolate setting but it would seem someone was way ahead of me....

Friday, June 27, 2014

Shot Through

When I was a kid I really enjoyed arcade shooters – for some reason there was something appealing about controlling a jet/helicopter and gunning down a seemingly endless parade of military hardware. Indeed, I recall seeing these type of games in arcade parlors, watching the demo/attract mode and feel I could do better. Of particular note, I recall being more excited about Raiden 2 than Mortal Kombat 2 or Super Street Fighter.

I can’t stress this enough: I haven’t a clue as to why arcade shooters had such a sway over me. Was it the first kind of arcade game I saw and became familiar with? Was it seeing something that was capable of producing something beyond the limitations of my trusty Commodore 64? Or was it the offer of blowing shit up? I don’t know and somehow, such questioning doesn’t warrant further pondering.

However, when I entered my teens and adult years I grew off arcade shooters. Again why this is so is unclear to me:  Most likely it was me becoming aware of other gaming genres. Or maybe I realized just what a coin thief arcade games truly are. Nevertheless, I’ve gone off shooters and the interest has never been rekindled – true I’ve the Raiden Project for the PlayStation but, as always, the power of nostalgia can have a sway that is difficult to resist.

Still, what is of particular interest is that through being away from the genre, many innovations have occurred to it. Innovations that to me, come as a complete surprise. Two particular titles have stood out in particular: Ikaruga and Radiant Silvergun. Both games from those wunderkinds known as Treasure and have such a reputation in amongst the arcade shooter crowd.

A reputation that warrants investigation – I already have Ikaruga and have had a go at it. So let’s see if Radiant Silvergun has something to offer….

Wednesday, August 10, 2011

Return of Saturn

Megadrive emulators are now a dime a dozen aren’t they? Frist there was the Megadrive Collection and then the Sonic Mega Collection and now, more recently, there’s Sega Megadrive Ultimate collection and the Sega Gold Classics Collection.

I was already suspicious with the presence Sega Megadrive Ultimate collection: Whilst the presence of a Hi-Def revamp is welcome enough, it begged the question of why the collection needed to exist: Many of these games are available for download on the Virtual Console, XBLA and the PSN and many of them appeared on the previous collection. But if the existence of the Sega Megadrive Ultimate collection is a puzzling one then what is the purpose of the Sega Gold Platinum Diamond Classics Hall of Fame Whatever the hell it’s called Collection? Many of the games featured on this monstrosity are already available elsewhere (and without much difficulty) and the actual differences to it and it’s predecessors are minor. So the question remains: why does this latest compilation exist?

Personally, I’m growing tired of Sega’s old games reappearing in these collections. True we can all agree that Sega’s defining moment came in the form of the Megadrive but the continual presence of these collections is more than beating a dead horse. Don’t get me wrong: I loved Sonic and the Megadrive when I was a kid but I don’t want the same games being churned out in a factory-like fashion. I don’t want the lesser moments of Sega trying to pass themselves off as a highpoint. I don’t want Sega to keep telling me: “Remember when we used to be good?!?!?”

Sure we may all agree that the Megadrive was Sega’s finest hour but this is what disturbs me the most: Anything else simply doesn’t matter. Now I can understand that re-releasing old games and making them readily available can inspire both old-timers, like myself, and entice the curious but why is this move confined to the Megadrive? Sega made other consoles but they are being shunned – but even before I complete typing this sentence I can already think of the reason why: The Megadrive sold and the others didn’t. Thus it seems possible that Sega isn’t willing to take such risks and, most likely, would rather their past mistakes remained buried. True the Dreamcast got a collection of it’s own on the 360 but most likely the console itself was a decent enough seller to warrant it (a worthy achievement in itself seeing how much vile is reserved for other failed consoles in the history of gaming).

But personally I would like to see Sega’s other consoles given a new lease of life: I want to see the Mega CD brought back into the light and maybe given the respect that eluded it the first time around. Forget the lousy FMV that plagued the system and one will find the system had some worthy games that are indeed worth a second chance: Android Assault, Eternal Champions, Final Fight, Lunar Silver Star, Popful Mail, Vay, Silpheed, Shining Force and Snatcher. Who knows? If you focus on the strengths, people may be willing to forget the faults.
And what about the Saturn? Some may claim that Sega maybe unwilling to touch it because of Saturn’s infamous complexity in programming the games for it. But most likely Sega may not be willing to return to a rather black spot in their history. However I think otherwise - I can think of some highlights that may surely warrant a second look: Burning Rangers, Deep Fear, Dark Seed, Dragon Force, Guardian Heroes, Radiant Silver gun and Shining in the Holy Ark. If they did a new version of NiGHTs for the Wii why not dust the original off? Who wouldn’t want to see the two unreleased chapters of Shining Force 3 finally see the light of day? And how many of you want the play the fabled Panzer Dragoon Saga (I know I do!)?
Hey if people can come with an emulator for the Saturn then it is possible to circumnavigate the complexity of the system, right?

Alas, as I said before, it seems that whilst the Megadrive was a big seller the other consoles in Sega’s history weren’t. Thus it seems clear that Sega aren’t prepared to take such a risk. And the mention of risks seems a bit strange since the Sega I grew up with wasn’t the kind to play it safe. Sure many of those risks didn’t exactly pay off but who was it that shrugged off the Mortal Kombat fatalities when Nintendo balked out? Sega. Who had the audacity to permanently bump off a character partway through their flagship RPG series before Aerith Gainsborough? Sega.

Okay so maybe Sega aren’t exactly in a position where they once were able to take chances but dammit, I would rather see a collection of Mega CD or Saturn games than yet another attempt to convince me Altered Beast, Bonanza Bros, Gain Ground and the Megadrive Virtua Fighter were any good.
And hey, I would’ve gladly played Knuckles Chaotix appear on the Sonic Gems Collection, as opposed to the lousy Game Gear games, any day

Friday, July 29, 2011

Degeneration (no.4)

And thus we arrive to the fourth generation.

Now those who’ve been following this series will note that my recollections seem somewhat hazy. This is due to things being experienced out of order and exact moments in my gaming history are difficult to pinpoint.
But now all that is changed. Because I can recall one particular moment that sold me over: It remains burned in my memory as a turning point and, in retrospect, marks my true beginning as a gamer. And that moment was this:

Megadrive (or as some of you call it Genesis)

I recall reading through my brother’s video game magazine and was hit by a full page ad for Sonic the Hedgehog. And, like hundreds of other people, it was all over. I had know idea who this blue guy was but I was sold with his big eyes, cocky grin and a general ‘bring it on’ disposition. Naturally, this led me gravitating towards the Megadrive.



Needless to say, when I finally saw one in action, I wasn’t disappointed. It seemed a world apart form the eight bit games I had seen before. Of course this was all 16-bit but it seemed beefier: Anything seemed possible within this new gaming technology, with colourful graphics, large worlds to explore and character that would be impossible to replicate on the Master System, NES or Commodore 64.
As luck would have it, my cousin had one so many times were spent talking about games and playing them to death. Many memories were built up and some I still recall: Playing two player games of Golden Axe 2, the theme to the first level of Truxton, the character of Rocket Knight Adventures, being floored by the rotoscoped graphics to Flashback, playing an ace conversion of the Mortal Kombat arcade, being impressed by the tactical pace of Jungle Strike, being blown away by both Sonic and being excited about the arrival of Tails in Sonic 2 (and subsequently laughing by how many times he died through following Sonic).

However looking back through an adult perspective, there is a lot that hasn’t aged well in the world of the Megadrive. A lot of games have aged horribly (most of them being part of the pre-Sonic era when this new technology was being figured out) through lousy graphics, crummy sounds and being dull to play. Many game soundtracks now sound dreadful given the limited sound prowess of the console (ie Shining Force 2) and many games were really overshadowed by Sonic. True sport games had a field day on the Megadrive, the Shining series had some gems and the Phantasy Star’s importance as a pioneering RPG series can never be overlooked but beyond Sonic, one would struggle to come up with an equally important IP – whereas Nintendo had how many? Three? Five?

But in the terms of building a lasting impression, the Megadrive is in a class of it’s own. It’s arrival opened my eyes to the world of gaming: I discovered there was a world waiting for me and I charged right in: I read the CVG magazines my brother collected. I sought out the NES and the Master System. I became aware of Sonic’s intent to usurp the throne of some guy called Mario. I talked games with my classmates and built up bonds through common interests. I began to grow excited of the game that resided in the arcade machine. I built up an ear to the ground and grew excited about the hype machine (the arrival of Streetfighter 2 to home computers and the afore-mentioned arrival of Tails being two such examples). The wall may have been chipped previously, but this was a breakthrough. And it all came in the form of Sega’ s little black box.

SNES
Having spent the previous paragraphs gushing about the Megadrive it’s fair to say that I spent the fourth console generation as a Sega fanboy. So is there anything I can say about the other camp? Why yes there is.

I recall the SNES being really popular in it’s day: Even to the point when the Nintendo fans recovered ground lost by the Megadrive and, as before, outnumbering us Sega fans. But it was not without good reason. Now whilst I had a lot of focus towards the Megadrive, I will admit there some instances of the some Nintendo games slipping through the cracks. Through visiting friends at the time, I remember quite a bit: Getting my claws on Super Mario World and being impressed by how the familiar can be revamped quite dramatically, Playing Yoshi’s Island and thinking how the bizarre can actually come across as something very enjoyable, plunging headlong into the world that was Super Metroid and being very impressed with Donkey Kong Country.



But my own experiences with the SNES really come in two halves: With my childhood years and with my adult years. As described in the previous paragraph the childhood years were nothing more than flirtations but come my adult years, it was something completely different.
You see, it’s only in past few years that I started playing SNES games again – thus heralding the end of many years of wandering in the wilderness. In that period, I set about rediscovering the type of stuff that my comrades were doing years before. I hunted down many games that escaped my notice the first time and, needless to say, I found them very enjoyable. Even now it does indeed blow my mind that a game I noticed when I was a child could still work for me as an adult.

In fact, this perception of the SNES is an interesting counterpoint to the Megadrive: Whereas I can easily find a lot of things with Megadrive games that have been dated in the years since, this does not to be the case with the SNES library. I have played and enjoyed the likes of Super Mario World, Legend of Zelda Link to the Past, Secret of Mana, Actraiser, Terranigma, Super Metroid, Final Fantasy 4 & 6 and, of course, Chrono Trigger. All of which hold up remarkably well in this age of hi-def graphics. An obvious point would be the high quality game play the game is built around has outlasted many of trends that has come since the game’s initial release but the same could be said at an aesthetic level: Many of the SNES game are still as beautiful to look at now as the day they were released. I’m still impressed by how much detail can be squeezed out of such graphical limitations. And many of the music in games still hold up – and it seems that, through the presence of orchestral arrangements and remixes, many will agree with me. I love the Final Fantasy music (who doesn’t?), I rate the Secret of Mana very highly, and I think some of Link to the Past music outdoes many of the successive Legend of Zelda games.
Indeed, it’s fair to say that many games on the SNES have withstood the test of time very well – in fact, it makes one wonder whether the games we’re playing now will have similarly staying power ten years from now…
But one must take the good with the bad and in the SNES’ case I can see a problem: If the NES was something of a franchise starter, then the SNES is where the franchises took root. And to does raise the problem in that everyone was playing the same damn thing – even to the expense of the other titles. Granted it’s because the games were great but even now, you ask someone which was the best game on the SNES and they reply with the usual suspects: Super Mario World, Link to the Past, Super Metroid, Secret of Mana, Chrono Trigger and Final Fantasy 6 (even as I type this I can see myself repeating myself and it’s damn depressing). Indeed, if you challenge anyone to name the best game on the SNES without mentioning those made by Nintendo or Square and they’ll struggle to say the least. Indeed, it’s this sense of entrenchment that may be costing Nintendo even now….

But criticism aside, the SNES was indeed one of the finest consoles ever made, blessed with superb titles and technological prowess. It represents for me staying power in games and a shining example of how something can last, and keep calling me back, years later. It’s a bastion still standing no matter what time, age and technological developments can throw against it.

Phew, what a mammoth post. No matter: I had a lot to say and I'm glad to have it said. See you this time next time next week for a shock to the system....

Friday, July 22, 2011

Degeneration (no.3)

And here we are with the second instalment of this series. So let’s not dilly-dally. Here we go with the 3rd generation!

Master System
They say that when you always remember when you discover something new for the first time: It’s the one that leaves the greatest impression and influences your line of thinking from that point on. Which brings me to the Sega Master System.



Whilst this wasn’t that big a deal in the US or Japan (ie the places the matter), the plucky MS was actually quite popular in Europe and here in Australia. I first became aware of Sega during Primary school where many people had a Master System.
In fact, in retrospect, I think I knew more people with a Master System than people with a NES.
So what did the Master System do to win me over? I guess many of the reasons can only be attributed a childlike wonder of discovering something new: Colourful graphics, irritatingly catchy tunes and finding something that appeared to be world apart from what I was familiar with (which was the Commodore 64).
Some particular favourites in this era included The Ninja, Alex Kidd in Miracle World and Wonderboy. I was also impressed by how Sonic made the transition from the Megadrive and still came out great. And special mention must also go to Mortal Kombat – how they managed to replicate those graphics in an 8-bit system still blows my mind today.
Looking back however, there are more than few things wrong with the damn thing. Sure many of the games looked nice but they were plagued with wonky controls that sent your guy running in all directions, playing areas where everything therein could kill you and situations that insisted you memorise a pattern that had to be obeyed to the letter in order to get anywhere! With such poor designing in the games, it is little wonder that the NES outpaced the Master System with games and developers.
Still, in spite of my criticisms, the Master System played it’s part in furthering my interest in games. And that’s a worthy achievement in my book.

NES
Now you’re talking.
Again, this wasn’t a console I owned – but I still got to play it through a friend of my brother. Indeed, this is of particular interest: Whilst the Atari 2600 was confined to school and the Master System was owned by friends (and thus even further out of reach), the NES represented something of a breakthrough. Finally those fabled boxes had arrived in my house. They were hooked up to my TV and infiltrated their way into familiarity. And finally I had the chance to try these videogame consoles for real (or whatever you want to call it).



Whilst the memories of the Master System may be hazy and somewhat confused with youthful excitement, the games I played on the NES are far more ingrained in my mind. Compared to the Master System I can proudly point out the games I played: Super Mario Bros, Super Mario 3, Captain Skyhawk, Star Wars and TMNT.
Whilst the Master System got to me first, the NES however had a substantial selection of games – and the funny thing is I still play of some of them today. I guess most of it comes down to smart design – and now that I think about it, that’s most likely what I got the most out of the NES. True the Master System may have won me over on a stylish level but the NES proved what can be achieved with a little bit of substance. Indeed, if I’m still playing 8-bit games today then that says a lot about the staying power of them. In fact it makes me wonder if any games made today will still be played twenty five years from now….
Another of the more lasting impressions of the NES was being something of a franchise starter: Super Mario, Legend of Zelda, Metroid, Final Fantasy and Metal Gear Solid all had their humble beginnings here. Looking back I didn’t think much of serials: I was happy to enjoy games on both the Master System and NES, caring little of actual names. I didn't think that Mario and Zelda were big deals (like they were in the US or Japan) I just figured they were there and there were Nintendo - although being in a truly awful cartoon didn't really help their cause at all.
Funny thing was, many of the titles I mentioned above went on to become legends whilst many of the Master System games now look largely (and painfully) generic. In any case, the foundation stones were set for a survival of the fittest that even Darwin couldn’t comprehend. True the NES may have had it’s fair share of ‘generic’ games but I guess they’re easy to ignore on a system that became the birthplace for Mario/Link/Samus/Snake.
Can’t really think of much else to say. Much has been written about the NES and its importance to video game history so my own recollections and experiences may just well be enough.

That’s it for this week. Stay tuned for the next generation and a breakthrough of massive proportions….

Monday, December 6, 2010

We R Australian

Big news down here in Australia with government support now behind the lifting of the R18+ ban. This has been a big thing down here as we are the only country who doesn't have an R18+ classification and as a result many games are either being unreleased or being heavily censored. So, with a shot in the arm to the ban being lifted, I thought I might share my thoughts on the idea of questionable content in games:

My main concern with R18+ games is that they contains buckets of blood and the type of sexual nature that would only appeal to gamers who can’t get it own and probably never will. No, I’m not some twerp who condemns the usage of gore on the screen. I’m actually someone who remembers what triggered this whole, long-lasting debate on violence in video games: It was in game called Mortal Kombat (anyone remember that?).

The thing with Mortal Kombat was that it came at a time when everyone was trying to capitalise on the one on one fighting formula that made Streetfighter 2 a big hit. I understand the notion that incorporating blood and gore was it’s method of standing out from the pack but looking back at the game now, it just seems tame: It hasn’t aged well, like other games from the era, and it’s flaws now seem glaringly obvious now the sensation of tearing people apart has since settled. Thankfully, the sequel, MK2 was an improvement on many levels – and it was indeed satisfying to hear, at the time, people talking abut MK2 as a great game, not just some gore-fest.



Looking at Mortal Kombat now it seems hard to believe that it started this ongoing debate about violence in videogames. Of course, since then games have incorporated violence and blood and have continually pushed the envelope on what players can do to their on-screen opponents.
And this is what I feel is the biggest problem with the violence in videogames debate: Violence has become too commonplace. Ten/Fifteen years ago, seeing a game bearing the M15+ label would’ve been an endorsement: This was a bad/naughty game that would make gamers buy it purely for the element of danger that continually drives thrillseekers onward. Nowadays, you see so many games bearing the M15+ and the MA15+ games that gamers just seem unfazed – even to the point where the games rated G and PG are laughed out of the room.

My point? Violence in videogames has evolved to a point where it’s no longer a constant: It’s now a dependant. Such is the gamer today that if a game doesn’t have lot’s guns and plenty of bad guys to mow down, then it has no hope of getting anywhere. Who cares about new ideas or getting a point across? All one needs to do is provide enough arms and ammunition for several Arnold Schwarzenegger movies and the player won’t think about anything else.

As stated above, I have a knowledge of what makes a good game, forged from many years playing them. I like games that present a degree of immersion, shows signs of intelligence, present a challenge and really establish a connection with the player. So in order to dispel some notion that I some lily-livered panzie who faints at the sight of blood, I do enjoy the game God of War. Sure it is a ridiculously violent game but it is a good way of reliving stress. More importantly however, it has some interesting tricks woven into the gameplay that give it long-lasting appeal and a compelling plot that adds depth to the protagonist Kratos that make him more than just some mindless mass-murderer. But what I find particularly interesting about God of War is that it reinvents Ancient Greek mythology by presenting a degree of brutality never seen before. All the legendary monsters, like the Minotaur, the centaur and the hydra, are in there but they look hideous and capable of breaking a neck like a twig.



Some may argue that violent games are a great way to relive stress. I can agree with that. Some also argue that violent games in no way provide a corrupt influence to socially-maladjusted teenagers and such a belief is ill-informed propaganda. That too has weight. But when it comes to the amount of violence in R18+ games, it is those gamers who are under 18 who will get the most out of it. Sure boasting about blowing foes away in a video game may be fun in High School but doing the same thing when you’re an adult just encourages everyone to keep their distance. That being said, it is strange to allow games bearing a R18+ when the type of things that gets done by its target audience isn’t anything worth bragging about.

Consider the game Grand Theft Auto 3. One of the most controversial games of all time it does succeed however by allowing the player to do whatever they want. It presents scenarios found in action movies, such as high speed car chases, punching people out and blowing things up with a variety of weapons.
There is no denying that escapism walks hand in hand with videogame. And therein lies the strength of GTA3: it allows players to do things that they will never do in real life. And that’s exactly why we play games. We want to escape the troubles of our own life and we want to do something that our mundane lives can’t provide. For this reason alone, the concept behind GTA3 has inspired other games.
But it strikes me that those trying to replicate the ‘do whatever you want’ concept of GTA3 missed the point completely: These clones seem more about blowing things up and creating a ruckus. This strikes me as an indication that game developers are getting lazy. I’m not denying that violence sells but if all there is to it then what are you doing? One of my favourite movies is the Wild Bunch. It is a violent film yes and focuses on violent men as it’s protagonists. But there is reasoning behind it and achieves the somewhat difficult task of introducing a lot of humanity to the murderous protagonists.

It strikes me that this continued presence of violence is really hurting the games industry in general. Consider Jack Thompson: Yes we all hate him and his arguments come across as ill-informed scare-mongering, but he’ll never stop. And even if he does shuffle off, some other nob will come and takes his place. In the case of Manhunt, it’s quite clear that it was intended as a huge smirking, kick in the balls to those who condemn videogames as too violent. It may work in theory but it seems to have backfired tremendously: It has instead given Jack Thompson and his ilk more ammunition. Nowadays gamers encompass people of all types and the idea of a socially inept with contempt for society is more inclined towards a cliché. However, clichés are harmful things and they can be easily utilised by the wrong people.



In the case of the hotly debated Left 4 Dead 2, I find interesting that there is a massive push to get in here uncensored that no one has bothered as to whether or not the game is actually any good. Indeed it is interesting to note that the censored L4D2 released here in Australia
People say that a large number of gamers are all adults when compared to the Golden Age of Gaming (the 16-bit era) but I don't buy that. I mean, if gaming has 'grown-up' as many claim then why is violence still the most powerful driving force? Anyone can make a game which can be addictive and fun without any violence – you only need to look at Tetris. And, in the case of Ico, concepts such as subtly and experimentation, end up being treated with confusion, being overlooked and ultimately disdain.
All of which is hindering gaming evolution.

So what would I like? Well, as mentioned above, violence is predominant in gaming that all designers are getting lazy and new ideas are being sneered upon. That being said, I would like to see game developers think beyond buckets of blood: It will prompt them to be adventurous, experimental and to try new things. It will encourage them to mess with established formulas and do something new with them and save them from being reduced to merely ripping off something else.
It will also force gamers to change their perception of games and look beyond the, somewhat juvenile, perception of buckets of blood. It will encourage thinking, emotion and imagination, elements that can have a place in gaming but are largely confined behind razor wire fencing.
Additionally, it will create a positive image of gamers. Yes we may have halted the cliché of being social freaks but that isn’t enough: The cliché is indeed a cliché and should be stamped out of existence. I would like to hear about gamers who are normal people who balance gaming with decent jobs and an active social life - Lord only knows why Pure Pwnage needs to exist.

In conclusion, I do indeed see the value of having an adult classification so people don't end up making the wrong choice. However, as a gamer, I would like to suggest the following:
We as gamers need to think beyond violence. We need to look to games that can be successful and fun without buckets of blood. We need to embrace any games that do things differently just for having the balls to do so. We need to understand subtly as not an alien concept. We need to take such steps to ensure gaming evolution and continued survival.
And while we're at it, I would also like a Ferrari.

Wednesday, August 11, 2010

Hey Ladies

Last week I posted a list of my favourite heroines in gaming. Some o them made the list for different reasons, whether it was strength in personality or having the looks to kill for. But, in coming up with that list, there were some names that didn't make the cut. So, for today, a list of honorable mentions:

Lt. Eva (Command and Conquer: Red Alert 2)
Sonya Blade (Mortal Kombat series)
Lucrecia Crescent (Final Fantasy 7)
Princess Garnet Til Alexandros XVII (Final Fantasy 9)
Oerba Yun Fang (Final Fantasy 13)
Meryl Silverburgh (Metal Gear Solid)

Anyway, now that i think about it, constructing a list of my favourite gaming heroines ultimately makes it one among many here in cyberspace - all of which say the same damn thing. So yes, I certainly have a sense of satisfaction in that I put the effort in and said something different (and it would appear it is possible to make list without mentioning Lara Croft).
The thing is, I am a man (Shut up I am!) and it seems that many of these lists are constructed by men - in an essentially male dominated market. But seeing as female gamers are growing in number and prominence, it makes me wonder - has any of them ever sat down and thought up a similar list?
I for one would like to see a woman gamer do what I did: Sit down and work out a list of their 10 favourite heroines (and/or heroes) and explain why, using personal experiences, analysis to character design, strength of character and potential role-model material. Indeed, it would be interesting to see what the other side of the gender fence think.

The gauntlet has been dropped - any takers?